首先說說配音。我完全負責任地說看英語版完全不能感受其中的樂趣，國語版的搞笑程度遠遠超過了英語原版。如今很多人看電影喜歡看原版，我也是，但惟獨動畫除外。從《獅子王》開始我就對國語配音的動畫有無限的好感。畢竟邊看動畫還邊看字幕這無疑會影響觀影感受。這次的《功夫熊貓2》首先場景是在中國，其次笑點超多，再加上配音演員的給力，我只能說選擇去看了英語版的同學再去看一次國語版吧(這說的是內地的配音，臺灣的還沒有見識過)。好，配音的問題暫時說到這裡。現在來說說電影本身。
第一，中國的場景，有木有!!!中國式的'人物，有木有!!!中國式的功夫，有木有!!!次作的中國元素比上一部有了階乘式的增加。開頭和結尾的皮影戲，舞獅子，太極(有抄襲少林足球之嫌。。。開個玩笑)，梯田，黃山，四川。。。這還是美國人拍的嗎?這分明是一部中國元素爆炸的中國式電影埃
第二，動作場面。看第一部時我就覺得這部電影簡直就是動作場面貫穿始終根本不給人喘息的機會埃在我以前看的電影中，還沒有這麼場面集中地。但現在看了第二部我不得不說我錯了，因為第二部的動作場面的時間，動作場面的複雜度，動作場面的創新度都完勝第一部，讓人看完電影后根本就來不及反應，場面太密集，太搞笑，太經典了!這讓才看完了讓人昏昏欲睡的《加勒比海盜4》的我來說無疑是個強心劑。看什麼加4啊，去看我們的阿寶吧，哈哈。
第三，笑點。我反正是從頭笑到尾，這也太搞笑了吧，現在想想第一部，這部的笑點完全是升了不止十幾級吧。這讓緊張的人們在電影院裡，得到了完全的放鬆。
第四，3D。我本身想看2D的，票賣完了，暈。但本作的3D效果著實不錯，開頭就被包子噴了一臉，有木有!其實這一點我倒不強求，2D,3D都有亮點，也有缺點，能買到什麼票就看什麼吧。
第五，鋪墊，影片最後的鋪墊赤果果地告訴我們要拍第3部嘛，那就期待吧。不過場面上要超越此部，夢工廠要下下功夫咯。
最後說說缺點，只有86分鐘有木有!!!意猶未盡，有木有!!!!
好了，此片是我今年看的最好看的電影，國語版是經典，此熊貓完全深入人心了!!!
功夫熊貓：KuangFu Panda is an interesting t, Po is a big panda,he is very fat,but he has his own want‘s to be a Great master,to save people in bad life by Shifu teachs him how to fight,and make him to save the last,He beat Tai had many friends, Monkey,Master Viper,Master Tigress,Master Mantis,Master Crane......I thought he is a great is a hero!I want to be the 2nd Po,to be a hero! 海底總動員：Hilarious, exciting and endlessly inventive, Finding Nemo is an awesome aquatic animation which will exhaust the adjective store of even the most hyperbolic film hack (ahem). One word just about does the job: genius. Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop‘s paranoia, he ventures away from the reef, but his dad‘s dread is justified when a passing diver whisks him away. Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son... It‘s a familiar formula for the digi-drawn dynamics of Pixar, whose Toy Story and Monsters, Inc. have proved such critical and commercial hits. How increasingly impressive the achievement, then, that Finding Nemo feels so fresh. There is beauty and brilliance in every frame. Tasked with creating an undersea environment, the animators have excelled themselves, capturing textures, light, shade and movement that could be photo-
